Benga meets Ohangla: An analysis of animal metaphors used in selected Dholuo political songs

dc.contributor.authorAnudo, N Cellyne
dc.contributor.authorAwuor, Elizabeth Q
dc.date.accessioned2022-03-29T12:36:33Z
dc.date.available2022-03-29T12:36:33Z
dc.date.issued2017-02
dc.descriptionAn article research on animal metaphors used in Dholuo political songsen_US
dc.description.abstractMusic, a vehicle through which communication takes place, reaches a wider audience as compared to other channels of oral communication. The artist, who is the conveyer of the message, may employ various devices to ensure that effective communication takes place. Because of the ethnic division that characterizes the Kenyan political field, musicians who out of their own volition or as mouthpieces of certain political outfits and by extension politicians, may express challenges (social, political, economic, moral or otherwise), views or ideologies through their music. When this is done, music fulfills a dual purpose: that of entertainment and that of disseminating crucial information that may direct an ethnic block towards a certain political direction. Thus, Luo Nationalism has been conceived, nurtured and developed by some Luo musicians through their music. In such songs the musicians express their frustrations at ethnic exclusion in matters development; they vent their anger towards real and perceived enemies thereby passing judgements; they make political declarations and eventually rally their audience to a common cause that is geared towards charting a path politically. To achieve such milestones, persuasive devices are employed and metaphors, the subject of interest in this study, are such a device. A metaphor not only enables an individual to look at an unfamiliar entity through the lens of a familiar one but it also aids in comprehension and interpretation of the entity in question. Through metaphors, an ideology that may seem complex is simplified hence achieving the purpose of communication. This paper seeks to explore animal metaphors used in selected Dholuo songs with the intention of interpreting them and unmasking the political undertones and hidden meanings contained therein. The analysis will be guided by Critical Discourse Analysis of Fairclough & Wodak (1997). The study wishes to reiterate the fact that language is a powerful tool that can be used to manipulate a populace either positively or negatively.en_US
dc.identifier.citationAnudo, C. N. A., & Orwa, Q. A. (2017). Benga meets Ohangla: An Analysis of animal metaphors used in Selected Dholuo Political Songs. International Journal of Science, Arts and Commerce, 1(12), 13-33.en_US
dc.identifier.urihttp://ir-library.kabianga.ac.ke/handle/123456789/390
dc.language.isoenen_US
dc.publisherInternational Journal of Science, Arts and Commerceen_US
dc.subjectMetaphoren_US
dc.subjectLanguageen_US
dc.subjectCritical Discourse Analysisen_US
dc.titleBenga meets Ohangla: An analysis of animal metaphors used in selected Dholuo political songsen_US
dc.typeArticleen_US

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